Showing posts with label Folk Music. Show all posts
Showing posts with label Folk Music. Show all posts

Friday, May 14, 2010

American Primitivism

American Primitivism, also known as American Primitive Guitar, is the music genre started by John Fahey in the late 1950s. Fahey composed and recorded avant-garde/neo-classical/eastern compositions using traditional country blues fingerpicking techniques, which had previously been used primarily to accompany vocals. This styling went on to influence many players in the experimental music community from varying generations. Included in this post are contemporaries and influences to Fahey, including Basho and Jansch, who are considered forebears of the Primitive movement. My objective in choosing these particular albums was to show the rebirth amongst emerging virtuosos of this style.


". . . The New Age people call it Folk; the Folk people call it New Age, but it is really neither. It's transitional. The style is derived from the country blues and string band music of the '20s and '30s, however much of the music is contemporary. Fahey referred to it as 'American Primitive' after the 'French Primitive' painters, meaning untutored."

"...Fahey suggested the idea of joining similar themes, and exploring both time and space. He also wanted me to try using dissonance and minor tunings. Maybe the biggest thing he put into me was the idea that a major part of music exists in the space between notes and chords."
- Peter Lang

John Fahey - The Transfiguration of Blind Joe Death (1965)



Robbie Basho - The Grail and the Lotus (1966)



Bert Jansch - Lucky Thirteen (1969)



John Fahey - The Yellow Princess (1969)



Peter Lang - The Thing at the Nursery Room Window (1973)


Download.

Sir Richard Bishop - Salvador Kali (1998)



Jack Rose - Kensington Blues (2005)



Sir Richard Bishop - Polytheistic Fragments (2007)



Alexander Tucker - Portal (2008)



James Blackshaw - The Glass Bead Game (2009)



Sir Richard Bishop - The Freak of Araby (2009)



Jack Rose (RIP) - Luck in the Valley (2010)


Thursday, March 25, 2010

Azam Ali

I'm not entirely sure how popular "World Music" or "Folk Music" (whichever you prefer to call it) is outside of the hippy backpackers who treasure their hemp jewelry and sandals, sitting around foreign hostels talking about how enlightened they've become just because they went to some touristy Buddhist temple in the middle of the giant tourist trap of Lijiang and waved some incense around in the air before retreating to smoke pot behind some dirty, shit-hole of a Malatong restaurant. However, I happened to like it long before I ever went to Lijiang or smoked anything behind any Malatong restaurants. If you're into ambient music, then you could very well like this, too.

A good way to start off is with an Iranian singer named Azam Ali. She's belted out albums since the 90's, sometimes alone, sometimes with other groups. I'm not entirely sure which album I should recommend first, but I think I'll go with "Portals of Grace", because it's a mix of different regional types from the distant past. Things like Judeo-Spanish Shephardic, Galician-Portuguese, 12th Century Latin, Brittany instrumentals, Byzantine-Arabic, Swedish, French-Provençal, etc. You get the picture. So with this album, you get a good idea of what she's capable of.




Azam Ali - Portals of Grace
1. Lasse Pour Quoi (Anon. early 14th century, French Provençal)
2. La Serena (Sephardic, Judeo-Spanish)
3. Breton Medley (instrumental, Brittany)
4. O Felix (12th century, Latin)
5. Ben Pode Santa Maria (13th century, Galician-Portuguese)
6. O Quanta Qualia (12th century, Latin)
7. Sackpipslät (instrumental, Sweden)
8. Aj Ondas (Early 14th century, Galician)
9. A Chantar M'er (Late 12th century, French Provençal)
10. Inna-I-Malak (Byzantine, Arabic)
11. El Rey De Francia (Sephardic, Judeo-Spanish)


So far, though, my favorite of her songs was one she did with the group Niyaz, titled "In the Shadow of Life". So, if you get a chance, download that here.