Saturday, May 29, 2010
In Disgust [2007] Reality Choke 10"
Sunday, May 16, 2010
The Death of Ronnie James Dio
Arik Moonhawk Roper
I own Mushroom Magick and I've studied this guy's watercolor work quite a bit. Truly one of a kind, and I believe he's one of the most important fantasy artists of our generation.
Saturday, May 15, 2010
Not Even Japanoise! (my drone-noise project)
Anyway, if you appreciate noise-heroes such as SUNN O))), Six Organs Of Admittance, LSD March, Lotus Eaters, Growing and some boris (for good measure), then don't pass this up. Here is a sample of their upcoming (undecided as to a 7" or a CD-R) release .
Previous comments/reviews:
"Man, these guys are fucking tough as hell, i've been digging this since they first put it up on the myspace page. Reminds me alot of Merzbow with guitars swirling and acid." -Anonymous.
"THIS IS SOME MEAT 2! THIS IS FUCKING GREAT MAN!!! SOLO ON THE END OF TRACK ONE, BROUGHT CHILLS..." -Sick Gary
SEVERED SUN "Kensho: (review)
-Cleveland Fantastico
O))) For my birthday last year:
My pretty counterpart & I decided to drive a few hours north to see Sunn O))) on my birthday... They played @ the Firebird in St. Louis. MO. on July 8th, last year during their "Monoliths & Dimensions" Midwest tour. I am so glad we went... Not only was it my 1st chance to witness the Brothers Grimm firsthand, but I also caught the debut of Eagle Twin. They didn't even have any CD's for sale yet (but I believe you can search the archives here, for that one...)
Anyway, Sunn O))) was amazing... intimate room, filled with fog; green, red & blue lights; heart-stopping volume & Atilla. (That guy has insanely low vox!) They played for close to an hour. I tried to take pics, but fog makes good photos impossible! I brought my Sansa clip & used the voice recorder function, stuck it in my shirt pocket & was delighted with what I captured:
Cadaver Synod
Nunsploitation
Wintersun
Preacher
Friday, May 14, 2010
James Hance
"James Hance is a relentlessly cheerful painter with a superb eye for celebrity portraits, a twisted view on TV and movie fuelled contemporary culture, and a passion for Star Wars. What more could you ask for? Don't go looking for deep meaning and conceptual theory in Hance's paintings, it just ain't there, and it doesn't need to be. James is probably one of those people you'd meet at a party who started off the life and soul but ends up taking it too far by dancing on the kitchen table or kicking a football through the window.
He's definitely a big kid at heart, you can tell, his infectious sense of humour parades triumphantly through an impressive collection of paintings depicting everything from The Muppets to Disney, silent movie heroes Charlie Chaplin and Stan Laurel, to dodgy films like Bowie's Labyrinth and Little Shop of Horrors. A wealth of celebrities including Michael Jackson, Johnny Cash, John Lennon and Shaun of the Dead's Simon Pegg. Plus of course a wide variety of Star Wars influenced art. This is Pop, there are no two ways about it, but it's fun through and through, with little political or social comment to go on, James Hance's art is more a warts and all celebration of our mixed up, messed up starry-eyed of our ever accelerating multi-media culture."
"James appears to have three styles of painting, extremely expressive such as in one of a few depictions of Heath Ledger in the role of Joker, highly painterly in pieces such as his Starwars influenced tribute to the classic Hitchcock thriller North by Northwest and photorealistic "digitally enhanced" paintings such as The Gentle Sith. There are plenty of in-jokes in Hance's portfolio, and it does, from time to time, veer close to socio-cultural comment such as his hauntingly disturbing piece entitled 'Music and Me'."
"Jim's Pop Art sensibility is as rich as any of the movement's progenitors, vast areas of bold and bright colours, clear and crisp subjects, bold composition, and a humorous sense of rebellion that holds his work apart from traditionalists and various rather more supine celebrity painters. However I'm intrigued by his darker and more expressive paintings, quietly and calmly brooding without any fixed context other than familiarity to get one's cerebral teeth into. The fact is that his work is both populist and highly decorative, yet underneath there lurks primal fears and instincts lavished in a glossy camouflage that makes them all the more enticing."
American Primitivism
". . . The New Age people call it Folk; the Folk people call it New Age, but it is really neither. It's transitional. The style is derived from the country blues and string band music of the '20s and '30s, however much of the music is contemporary. Fahey referred to it as 'American Primitive' after the 'French Primitive' painters, meaning untutored."
"...Fahey suggested the idea of joining similar themes, and exploring both time and space. He also wanted me to try using dissonance and minor tunings. Maybe the biggest thing he put into me was the idea that a major part of music exists in the space between notes and chords."
- Peter Lang
John Fahey - The Transfiguration of Blind Joe Death (1965)