POWER OF THE RIFF MIXTAPE [2011]

This sampler was a promotional tool for this year's Power of the Riff Fest, and showcases just how diverse Southern Lord Records' roster has become. Over an hour of hardcore, grind, sludge and doom!!!

TRACK LISTING:

01 All Pigs Must Die "Pulverization"

02 Baptists "Good Parenting"

03 Eyehategod "Jack Ass in the Will of God"

04 Masakari "Trapped in the Mold"

05 Alpinist "Hak Nam"

06 Skin Like Iron "Consequences"

07 Early Graves "Wraiths"

08 Seven Sisters of Sleep "Sundown"

09 Pentagram "Call the Man"

10 Black Breath "Children of the Horn"

11 Plagues "Breathing"

12 Harassor "Glory Raped"

13 Acephalix "Interminable Night"

14 Black Cobra "Negative Reversal"

15 Aeges "Roaches"

16 Slave "Rise of the Shame"

17 Trap Them "Carnage Incarnate"

18 Noothgrush "Oil Removed"

19 Pelican "Strung Up from the Sky"

20 Winter "Eternal Frost"

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The Boggy Man

Wish I had the original on my wall. I've spent quite a bit of time trying to find out who the painter was for this piece. Not having any luck. Somebody, help!

Hexarkana

Hexarkana is a mix of classic cult film score synth, ambient 70's synth, and modern groups doing tunes in the same vein. Let me know what you think about it.

Hexarkana

Mutants of the Monster

Here's one of the weirder classic-southern-rockers-on-acid tracks I've ever heard. Dig it.

Black Oak Arkansas - Mutants Of The Monster (2006 Remastered Version)

Death and the Tasmanian Tiger

Drew Harmon aka Tasmanian Tiger is a young dude who has been sculpting the sounds he makes in his apartment in Austin for some time now. Instead of spouting out bedroom electronica like 99 percent of the rest of his Adderall-ridden generation, he's experimenting with a lot of niche genres. I'm impressed over and over again by the way he reinvents himself so quickly and encompasses new influences so seamlessly. The fact that he's releasing horror soundtrack-inspired tunes for the whole month of October just adds another notch to his cool-belt. Can't wait to see how all the tracks shape up to an album.

After several months of being smack-dab in the middle of some of the best momentum my life has ever experienced, I've found my way back to this inactive blog. We (Bob and I, at least) will return with a force (and hopefully some remotely interesting posts). See you soon!

Rammbock

I saw this movie at Fantastic Fest 2010 in Austin...it was pretty awesome, especially the contraption they came up with at the end.  Anyway, just thought I'd share.

In Search of Moebius

Argento Movie Posters

Here's a variety of high quality scans of movie posters relating to Dario Argento.

Recent thoughts on the blog...

I'll be engaging my writing more thoroughly soon, and you can expect to see my posts take a much different direction. I plan on summarizing my experiences of albums more specifically, and covering more recent releases by sharing a couple of songs from each album for each post. This is my attempt to be more fair to the artists I admire while still sharing free shit with you. I'm excited about the possibilities, and I think this decision will expand on our minimal readership, while separating us from the status of strictly a pirate blogspot. I've always considered this blog an attempt to refine my writing capabilities, and so making the writing the focal point will only emphasize that objective. I plan on still posting comics and movies. Toodles.

Ugly Americans

Ugly Americans is a show on Comedy Central about a social worker in NYC named Mark Lilly. His roommate is a zombie that bones anything that comes his way. His girlfriend is the spawn of Satan (literally) and becomes sexually aroused at the sight of physical violence. The artwork for this show is vaguely reminiscent of the early Vault of Horror or Tales from the Crypt comics.

Season One Download

Chen Man

From the "Red Beauty" series

In the massive creativity black hole that is the People's Republic of China, artist/photographers like Chen Man stand out quite a bit. Here's an quote from The Bui Gallery's feature:

Chen Man made a huge impact when she started shooting the covers for the Chinese Vision Magazine. As her work hit the Streets it was met with surprise and awe. People were not only blown away by the amazing photographic images combined seamlessly with computerized 3-D rendering, but also by the fact the artist herself is a Beijing born girl in her twenties.

Chen Man’s work is a combination of her skill with a camera, and her technical wizardry with a computer. She does all of her post-production image work herself, from retouching with Photoshop, to 3-D rendering with 3D Max. She has an extremely strong aesthetic eye that brings out the best of her models, and consequently shoots for the Chinese make up artist Tony Li, and various celebrities from China and Hong-Kong.

Her work is very much tailored towards the fashion industry. This isn't really my thing, but she does such a great job of it that I can't help but mention it here. Add that to the fact that creativity isn't what it use to be in the PRC, and the fact that she does all of her photography, post-processing, and 3-D work herself...then her work really starts to shine.

See more of her work here.

Jill Greenberg

You may or may not know that I am rather fond of photography. I'm not that great at it, but then again I can't afford a decent lens or the time off to use such a lens. Until then, I'll have to sit around and jealously look at prominent photographers' work.

One such prominent photographer is Jill "The Manipulator" Greenberg. You may have heard her name (probably not) mentioned during the last election for her rather sneaky, successful attempts at capturing unflattering photographs of John McCain in an attempt to make him appear evil, and then altering those photos prior to uploading them to her website. I find this to be rather childish of her, but regardless find her work and technique to be very interesting.

Her technique, called the "Greenberg Effect", isn't really anything you can just go out and do. It involves an extensive array of flashes, umbrellas, a ring flash, background lighting, and a very healthy dose of post-processing. Definitely not for amateurs. The effect generally creates an almost painting-like look to her subjects. On others, with less post-processing, it creates a very sharp, well lit, flattering look that brings out defining qualities in the subject's face without, unless you're John McCain, too much shadow.

This effect has earned her commission from a lot of advertisers, celebrities, and other important people. Jill Greenberg is hot shit, and if you were as good as she is, you'd be driving a bank truck around.

A few examples of her work:

There's a lot more to be seen and admired here.

Hijinks Ensue

Greetings, comrades. Been a while. Regardless, found another online comic. This one is geek-centric. That means I like it.

http://hijinksensue.com/

Sorry, I don't really have anything else to explain about it. I kind of just found it about six minutes and 14 seconds ago. Enjoy.

Virgil Finlay

I started researching Weird Tales a couple of years ago. The concept of pulp magazines appealed to my whimsical interests in fantasy, sci fi, and horror, and still do. That particular magazine encompassed all those emerging genres and really captured a zeitgeist amongst bedroom writers of the time period trying to eek out a living from their stories. The same was the case for the illustrators. One such artist was Virgil Finlay, who much like my idol Frank Frazetta, was a superb athlete who resigned himself to his striking artistic abilities as he got older. With the scratchboard as his chosen medium, Finlay was definitive with his outlandish style, stretching into avenues of fantasy that were only hinted at previous to his work. Monsters, aliens, and demons were all present in his work, and Virgil was extremely prolific. Like many artists with this type of word-of-mouth cult status, it was not until after his death that his work received a potent revival and collectability. I'd like to share with you now a few of my favorites, and a link to a large number of his works. The collection in the download only represents a fraction of what this man created.

"Virgil Finlay (July 23, 1914 – January 18, 1971) was an American pulp fantasy, science fiction and horror illustrator. While he worked in a range of media, from gouache to oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. Despite the very labor-intensive and time-consuming nature of his specialty, Finlay created more than 2600 works of graphic art in his 35-year career.

Virgil Warden Finlay was born and raised in Rochester, New York; his father, woodworker Warden Hugh Finlay, died at age 40 in the midst of the Great Depression, leaving his family (widow Ruth and two children, Jean and Virgil) in straitened circumstances. By his high school years, Virgil Finlay exercised his passions for art and poetry, and discovered his lifelong subject matter through the pulp magazines of the era--science fiction, via Amazing Stories (1927), and fantasy and horror, via Weird Tales (1928), beginning to exhibit at the age of 16. By age 21 he was confident enough in his art to send six pieces, unsolicited, to editor Farnsworth Wright at Weird Tales. Once Wright determined that such detailed work would transfer successfully to relatively rough paper the magazine used (they were called "pulps" for a reason), he began buying Finlay's work. Finlay's illustrations debuted in the December 1935 issue of WT, and appeared in a total of 62 issues of the magazine, down to the last issue of the classic pulp in Sept. 1954. He also executed 19 color covers for WT, for issues from Feb. 1937 to March 1953.

A late-career Finlay illo published in the Amazing Stories issue of July, 1964.

Finlay quickly branched out to other publications after his 1935 debut; he was an immediate hit. In 1938 he went to work for A. Merritt at The American Weekly, moving from Rochester to New York City. Later the same year, he married Beverly Stiles, whom he had known in childhood in Rochester (Nov. 16, 1938). His adjustment to the city and to his new job was not smooth, however; he was fired and re-hired more than once. Yet during his period on the magazine's staff (1938-43), and later as a freelancer (1946-51), Finlay estimated that he did 845 different images, large and small, for Merritt's magazine.

Finlay served in the U.S. Army during World War II, and saw extensive combat in the South Pacific theatre, notably on Okinawa and did posters and illustrations for the Morale Services during his three years of military service. He resumed his artistic career after demobilization, doing a considerable amount of work for science fiction magazines and books. As the pulp magazine market narrowed through the 1950s, Finlay turned to astrology magazines as a new venue for his art.

Finlay also wrote poetry throughout his adult life. Virtually none was published in his lifetime, though significant samples have been printed posthumously.

Finlay had to undergo major surgery for cancer in early 1969. He recovered enough to go back to work for a time; but the cancer returned, and Virgil Finlay died of the disease early in 1971, aged 56. Ironically, Finlay just missed a resurgence in interest in his artwork from the early 1970s onward." - Wiki

Download.

The Death of Jim Varney

Why a tribute to Jim Varney? I'll tell you why, you smarmy prick, because Ernest Scared Stupid and Ernest Goes to Camp were defining films of my childhood. They stand on the pantheon of oddball films that first catered to any semblance of humor I had. I remember in 2000, upon finding out about Jim Varney's death, having a sense of profound loss associated with my childhood and feeling like I could never have quite the same laughs I did as a child. I have a short-list of things that recall childhood memories/sensations, and certain movies incite a pristine memory of care-freeness. These films conjure up that very particular nostalgia, memories that I didn't know I had 'til I play the movies. 

So when I thought about Jim Varney, and in my work-induced boredom, read his bio, I felt a deep appreciation for this thespian from Kentucky who carried a goofy, irritating character to its logical extreme. It's a testament for what one human can do for another through art, no matter how trashy or unsophisticated said art is. 

Also, it seems that Varney was a forerunner for this type of modern lovable idiot character. Pee Wee, Larry the Cable Guy (how I loathe typing those words), and Mr. Bean all followed this character-type. I think that assessment alone deserves consideration and review of the man's work, no matter how idiotic it may seem to you. I should also say that Scared Stupid was one of my first forays into horror, and there's not a more appropriate film for initiation. I know this is an ironic, sentimental post, but it came very poignantly to me, so there.

Download Torrent.

"Born June 15, 1949, James Albert Varney, Jr. was an American actor.

Varney began his interest in theater as a teenager, winning state titles in drama competitions while a student at Lafayette High School (which he graduated from with the class of 1968) in Lexington, Kentucky. At the age of 15, he portrayed Ebenezer Scrooge in a local children's theater production, and by 17, he was performing professionally in nightclubs and coffee houses. He listed a former teacher, Thelma Beeler, as being one of the main contributing factors in his becoming an actor.

He was best known for his character Ernest P. Worrell, originally created by Nashville advertising agency Carden and Cherry in the 1980s. The character was used in numerous television commercial campaigns in the following years.

He was also noted for doing commercials for car dealerships across the country, most notably Cerritos Auto Square in Cerritos, California. Another favorite Ernest vehicle was promotions for various TV stations around the nation, including the news team and the weather departments.

He also lent his voice to the character "Slinky Dog" in Disney's Toy Story film series, and to the character "Cookie" Farnsworth, from Atlantis: The Lost Empire, which was released the year after his death.

Varney provided the guest voice for the carny character "Cooder" for "Bart Carny" episode of The Simpsons.

Varney played the prince that Roseanne's sister Jackie started dating near the end of the 90s television series Roseanne.

Varney also played the part of Jed Clampett in the 1993 production of The Beverly Hillbillies. In addition to his Ernest Goes to... series, he starred in several smaller movies for Carden & Cherry such as Ernest P. Worrell's Family Album, Dr. Otto and the Riddle of the Gloom Beam, and Your World as I See It, all of which showcased his great facility with assuming a wide variety of characters and accents. Just prior to his stint as Ernest P. Worrell, Varney was a cast member on the notorious television flop Pink Lady and Jeff.

Jim Varney died of lung cancer on February 10, 2000 at 4:45 a.m. in his home in White House, Tennessee, as the movie Ernest the Pirate neared completion; he was 50 years old." - Lexington Arts Website

Being Human

I've heard a lot of buzz about Being Human from a couple of blogs and decided to check it out myself. I'm two episodes in and really enjoying it. I knew I was hooked when the werewolf dude's transition scene happened and it came off almost as painful as the scene from An American Werewolf in London without the use of CG(!). I don't like the dude that plays the vampire in the pilot episode, and I'm glad they ditched him. I think maybe its was his character coming off as a goofy Bullet for My Valentine fan rather than an old vampire trapped in a young man's body. Apparently, like all things reasonably entertaining, they're Americanizing this soon. Here are MU links to the entire first season, including the pilot.

Pilot

Episode One

Episode Two

Episode Three

Episode Four

Episode Five

Episode Six

Cosmic Jokers - Galactic Supermarket (1974)

w/ Timothy Leary in the studio.

Kosmiche rock was an off-shoot of all the insane krautrock coming from Germany in the early 70s. I dig the shit out of space rock, and I think this represents the subgenre at its purest. I've dropped out to track 2 several times lately - really coaxed me into some great sleep. This was an unofficial, reluctant supergroup all flung way out on psychotropic substances tinkering in a studio for weeks at a time. It sounds exactly like that. This is my favorite record out of the batch. It features one of the great ambient artists, Klaus Schulze, who eventually sued over his likeness and name being used without permission. I'm posting the story behind the making of their albums because it's hilarious. I wonder if the guy that wrote the bio below couldn't help but place the word 'furor' in there.

"Over several months in early 1973, producer Rolf-Ulrich Kaiser organized several wild acid parties at Dieter Dierks’ sound studio, where the musicians played in exchange for a small fee and all the hallucinogens they could ingest. These musicians included Manuel Göttsching and Klaus Schulze of Ash Ra Tempel, Jurgen Dollase and Harald Grösskopf of Wallenstein, and Dierks himself. They had all been part of the Cosmic Couriers, a loose group that had musically backed Kaiser-produced records by Swiss artist/poet Sergius Golowin, gypsy Tarot-reader Walter Wegmüller, and even acid guru Timothy Leary the year before. From these 1973 sessions, the Cosmic Jokers were born, as Kaiser and Dierks edited and mixed the material and slapped it out on vinyl on Kaiser’s Kosmische Musik label without the other musicians knowing anything about it until the records appeared in stores, even as their pictures were posted prominently on the covers.

It caused a furor in Germany at the time, and it remains an early case of music fraud -long before the hip-hop era- since the music was “borrowed” without the musicians consent(apart from many magic mushrooms probably used to get them in there in the first place). 

The first to find out was guitarist Manuel Göttsching when he entered a Berlin record store in 1974 and found out the music being played on the stereo was from those sessions. He thought the guitarist sounded familiar, but he was shocked to find it was himself. 

The other musicians have mostly deemed these recordings as trash. Klaus Schulz has been particularly harsh in his criticism referring to these CDs as “cosmic crap”. It’s true that these albums caused lawsuits against Rolf-Ulrich Kaiser (head of Kosmische Musik, formerly Ohr) It ruined his career and effectively drove him out of Germany.

However, for fans of German experimental music, these releases are classics and they remain important to this day." - Last.FM

Cosmic Jokers - Galactic Supermarket (1974)

1. Kinder des Alles pt 1

2. Kinder des Alles pt 2

3. Kinder des Alles pt 3

4. Galactic Supermarket pt 1

5. Galactic Supermarket pt 2

6. Galactic Supermarket pt 3

Download.

Diane Arbus

Diane Arbus worked with the fringe. She worked with "deviant and marginal people (dwarfs, giants, transvestites, nudists, circus performers) or else of people whose normality seems ugly or surreal"

I think this is a good place for her.

Edward Weston

Edward Weston was one of the biggest reasons I became interested in photography. I found a book of his work in a library when I was around 13 and have been taking pictures ever since.

One day I'll go to the desert where the man worked and find him.